Poetry Sundays: Short Roots

Gustave Le Gray (photographer) [French, 1820 - 1884] from the J. Paul Getty Museum

The Beech Tree by Gustave Le Gray (photographer) [French, 1820 - 1884] from the J. Paul Getty Museum

2014 was a tough year for many Mormon feminists. While there were some great positive changes in the Church, for me, they did not outweigh the hard truths I’ve witnessed.  I’ve found comfort in looking to Mormon women of older generations as spiritual role models than I have lately. Women who have weathered storms like the ERA and the 1990′s excommunications of feminists and intellectuals, women who have created their own spiritual paths in and out of the Church.

I’ve loved this poem by Carol Lynn Pearson in particular lately. This past year, I’ve felt so thirsty as I ponder my place in the Church and my own spiritual path.

“Short Roots”
by Carol Lynn Pearson

The tree
At the church next door to me
Turned up its roots and died.
They had tried
To brace its leaning
But it lowered
And lowered,
And then there it lay–
Leaves in grass
And matter roots in air,
Like a loafer on a summer day.

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Poetry Sundays: Elizabeth Bishop

lost keys

Image by atache on flickr.

One Art

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

(circa 1976)

One of my favorite poets in all the world is Elizabeth Bishop. And this piece of hers is resonating with me and my many anxieties lately (some of which I expressed in my comment on the last Poetry Sundays post). Every time I come back to this poem, I love it more. I love its clear-cut rhymes and easy rhythms—that it feels a lot like a free verse poem in the way it flows without effort—but it is actually following the very strict rules of a poetic form called the villanelle. I can only say that the form of this poem about quadruples my admiration for it.

Please feel free to share your own thoughts in the comments. If you don’t know where to start I have a couple of questions that came to mind as I read “One Art” this time around. When she says “the art of losing,” what exactly does that mean to you? And why do you think she doesn’t ever mention looking for or finding things that are lost?

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Grape Hyacinth

grapehyacinth

Small blue bottle on a shelf in the kitchen
holds one grape hyacinth
I plucked from a neighbor’s lawn.
Each day I watch the tiny thing die.
This is what I do when I come to the sink.
This is my document of observation.
First the little purple poufs at the bottom fade slightly
then slowly collapse like balloons running out of air
at an excruciating, slow pace.
I can almost hear the air whistling out
a miniscule breath, imperceptible.

The process moves up the stem
row by row of inedible miniature grapes:
the fading color
indigo to pale periwinkle
invisible pinprick that makes no pop but lets out the air
and withering carries on
until the lowermost grapes become raisins
so tight you think they cannot curl into themselves
even a tiny bit more but they do
the whole while an inaudible wheeze–
Exhale.
This gradual dying.

{Image by Jana Remy}

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Information overwhelm

by Brooke

informationloop

Exercise in Draining

I am training
to squeeze (absorb?)
information
from where it
is plenty
or scarce.

Sometimes it
will build up
so that I
almost burst
and I would
for certain
if you caught
me off guard.

So I get
information,
I hold it,
and then learn
to drain it
properly.


What do you do when it feels like there’s too much information coming at you?

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Initiatories and ICHP

Initiatories and ICHP

Initiatories and ICHP*

*Intra-Perioneal Hyperthermic Chemotherapy

photo by Linda Hoffman Kimball

I spend Friday mornings in the temple whispering in white, calling down the powers of Heaven to cleanse and prepare women for the bounty God has eternally in store for them. I am awed by the initiatory. Although I bristle with some phrases which seem like artifacts of another century, as a whole I am astounded by the intimacy, love, preparation, protection and embrace of that aspect of the temple. The thoroughness of that kind of cleansing is unlike any mortal life can offer.

Its closest competitor is something my husband endured in 2007.

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